Showing posts with label Guest Post. Show all posts
Showing posts with label Guest Post. Show all posts

Tuesday, 1 April 2014

Tour of an Exovet Facility - Guest Post by Christian Schoon


Ever wanted to visit an exovet facility? Ever wished you could have a space-hound/alien-cat/amorphous-blob for a pet? (I mean, who hasn't?)

Well, you're in luck. As part of the Under Nameless Stars blog tour, I'm welcoming Christian Schoon onto the blog today. I loved space-vet-in-training Zenn Scarlett's first adventure, and now she's back again in book two! Over to Christian to tell us more about the weird and wonderful animals that an exovet may come into contact with, with a special tour of the Ciscan Cloister facilities!


(And be sure to enter the GIVEAWAY at the bottom of the post, where you can win both books as well as a Name Your Own Star Gift Package!)

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Hey and thanks to Vicky for inviting me to break into your Earther net-stream for this leg of the Under Nameless Stars blog tour extravaganza. Vicky’s stop on the tour is especially noteworthy for both Zenn and I, since the new novel is officially on sale worldwide today!

So, we’re broadcasting at your now from the com shack here at the ancient Ciscan Cloister Exoveterinarian Training Clinic on the far eastern edge of Valles Marineris, Equatorial Colonial Admin Sector. I’m sure you’ll understand if our signal drops out now and then. You know how tough it’s been to get replacement parts for radios, or pretty much anything else, here on Mars ever since the trade rift with Earth started. Hard to believe that was two decades ago. Anyway, since I’m wearing one of the Cloister’s last functioning screen-sleeve uplink units, we can head outside as we chat. That way you can get a glimpse of the clinic grounds and meet a few of the alien life forms housed here at present.

As we walk over to the main infirmary building, you’ll notice the impressive rock walls on either side of the valley. The red rock cliffs are roughly 1,500 feet high in this part of the Valles, and if you squint you can see the barometric generators mounted on the canyon walls at regular intervals. The transparent membrane of bound-ions these generators produce stretches a sort of invisible “roof” over the valley, trapping air and water vapor inside. It’s thanks to these bary-gens that the valley floors of Mars are inhabitable, and more important, farmable, for the colonists here.

As we approach the huge infirmary building, you can tell by the immense sliding doors that this building is constructed to accommodate even the largest alien animals that are cared for at the Cloister. I’ll just poke my head in and… yes… there’s Otha Scarlett, Zenn’s uncle, at work on a whalehound. The hound is a young adult male, about 80 feet long, something like an over-gown otter, but with eight legs and an elongated snout packed with very long teeth. Otha is using the infirmary’s mechanical lift to raise him high enough to bandage what looks like a bite-wound on the ‘hound’s neck. The animal likely got this while rough-housing with his pen mate, a somewhat larger female. The owners of these two magnificent animals are hoping to get a litter of whalehound pups to take back and release on their ocean-covered home planet. And while the two are a prime breeding pair, whalehounds are reluctant breeders in captivity, so their owners are upping their chances of success by bringing them here, where the Cloister exovets have the expertise needed to encourage the ‘hounds to bond and mate. Whalehounds aren’t especially aggressive, but Otha is using the sedation field dish to calm the animal down as he stitches the wound and applies a coating of derma-plast sealant. The young ‘hound should be well enough to return to his pen, and his rambunctious girlfriend, in a few days.

Leaving the infirmary, we descend a series of stone steps to the area of the grounds where various other aquatic species are housed. Here there is an assortment of pools and holding pens. At the largest pool, we peer into the early morning fog that drifts across the surface and spot Brother Hamish shoveling something into the water from a large wheelbarrow. Hamish is the Cloister’s sexton, or all-round handyman. Or, we should say, handy-bug, since he’s a Sirenian Coleopt, basically an eight-foot-tall sentient beetle. The mist on the water lifts, and a huge, serpentine head emerges, followed by the 200-foot body of a Tanduan Swamp Sloo. The great, plesiosaur-like reptile paddles over to see what Hamish is up to and, once she realizes he’s feeding her, she lowers her tubular nose to the water and begins hovering up the pellets of dried insectoid flakes that he’s dishing out. We wave a greeting to Hamish, who rattles his claws at us in reply, then move along in our tour.

Setting out across the Cloister gen-soy field, we wade through the fragrant blooms of the waist-high plants and are surprised when we suddenly feel what seems like a pair of small, clawed paws gripping one of our ankles from behind. We spin around. But there’s nothing there! Now, we feel the paws clawing at our pants pocket. A moment after that, the air before us shimmers, turns a hazy violet-and-cream color, and then resolves into the shape of what looks like a cross between an Earther raccoon and a lemur, topped by a foxish head with large, tufted lynx ears. It’s the Cloister’s resident rikkaset, Pyewhakit.

Like all rikkasets, Pyewhakit’s fur is made of refractive, crystal-impregnated keratin that allows him to bend light and become more or less invisible at will. It’s an especially effective defense mechanism. Unlike Zenn’s companion rikkaset Katie, Pyewhakit never learned to use sign language. Nonetheless, as he sits up on his haunches and trills at us, it’s clear what he wants. Fortunately, we’ve brought along a handful of dried cat food pellets, which is what he smelled in our pocket. We offer him this, and he gives us a polite lick on our hand before he takes the food in his dexterous front paws and delicately consumes the crunchy morsels.

With Pye trotting along beside us, we reach what Zenn likes to call the Cloister’s “Rogue’s Gallery” of cages, pens and fenced paddocks. Here, a wide variety of alien patients and other long-term “guests” reside. The first large cage seems to be empty, its floor covered by a dense layer of dried leaves, branches and rocks.  I rattle the heavy chain-link fencing and stand back, as the cage’s occupant explodes up out its hiding place, throwing a rain of leafy debris and dust into the air. Pyewhakit fluffs his fur and promptly vanishes from sight. He’s wise to do so. The creature we’ve disturbed is a Sirenian bloodcarn – a thirty-foot, predatory centipede with a head section resembling an immense tarantula. It rears up, hissing as it lifts its bright orange body and hundreds of short, undulating feet up toward the roof of its enclosure. The bloodcarn was purchased from an illegal animal poacher at the black market in New Zubrin. Its owner bought it when it was a barely out of the larval stage, a mere three feet long. The misguided owner thought it would make him look cool to possess such a creature. But as it grew, he  realized he wasn’t prepared to care for a creature as big and vicious as an adult bloodcarn, so he abandoned the animal in a remote canyon, where naturally it came into conflict with the local settlers. After it was re-captured by the authorities, it was brought to the Cloister, where it will now have to live out its life in captivity. It’s a sad story, but people simply seem unable to learn the lesson that some animals do not make good pets and should be left in the wild where they belong. We don’t linger at the bloodcarn’s cage, but move on. After we’ve gone a safe distance, Pye allows himself to become visible again beside us.

We stroll on, passing by the enclosure of a pack of Procyoni yotes – buffalo-sized, hyena-like           scavengers with massive, bone-crushing jaws – then stop to listen to the nesting song of a pair of Akanthan axebill warblers, as the big, ostrich-like birds serenade each other with intricate harmonies that rise and fall as they bob their heads and shake their enormous, red-and-yellow-striped bills in time to the music.

Finally, we loop all the way around to the ruins of the old chapel building, the tiles of its collapsed roof littering the site where it once stood, the huge sandstone blocks of its fallen walls lying in disarray like great dominoes strewn by some giant hand. It was here that Zenn had a truly extraordinary encounter with a young sunkiller being treated at the Cloister. For those unfamiliar, the Greater Kiran Sunkiller is a creature that grows to have a 1,500 foot wingspan, drifting on the air currents of its homeworld like a colossal, two-headed pterodactyl. A birth defect in this particular sunkiller’s wings prevented it from regulating its altitude, and it was brought to be operated on at the Cloister. Unfortunately, just as it was about to be… oh… well, that’s actually quite a long story and we seem to be out of time, as the transmission window for this broadcast is closing. Something to do with upper atmospheric disturbances.

So, it’s time for me to say good-bye. Thanks again to Vicky for letting me give you all this brief tour of the Ciscan facility. And don’t forget to enter the blog tour contest and answer her question about Under Nameless Stars. I mean, really, what Earther wouldn’t want to win free books and a chance to Name Their Own Star?  Signing off from Mars, this is Brother Schoon and the other humans, Alien Sentients and animal guests here at the Ciscan Cloister. Cheers!

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Thanks Christian! I still really want my own rikkaset...

On to the GIVEAWAY!


To celebrate the publication of Under Nameless Stars, Strange Chemistry is running an exciting competition with a different question at every stop on the tour! You can find out who else is on the tour here.

And you can find out the answers to all the questions by reading this extract of Under Nameless Stars:

Read an Extract:

Read and Share via Issuu.com


So, here is my question:

15. In the opening scene, when Zenn comes to, she's sharing the cage-crate with what other animal (besides Katie and Liam...)?
a. A bloodcarn
b. An indra
c. A sandhog
d. A skirni


Good luck! :-D


a Rafflecopter giveaway

Thursday, 22 August 2013

Guest Post and Giveaway! - Colin F. Barnes: Top 5 Techno Thrillers for a Beginner

We've got Colin F. Barnes with us today for a guest post about Techno Thrillers! A while ago I reviewed Colin's book Artificial Evil, the first in the Techxorcist series, which I loved. Artificial Evil is a great genre-mixing techno-thriller-dystopian-cyberpunk-science-fiction-adventure, and it's a lot of fun!

And... you can win a copy! Enter the GIVEAWAY (open INT) at the bottom of this post for a chance to win a paperback copy of Artificial Evil.


So what's a techno thriller and where do we start? Over to Colin!

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What is a Techno Thriller?


You’ll likely find a wide spectrum of titles that are considered to be among this genre, however, they all share a few things in common, such as: a propensity for technology as a central element to the story and a large proportion of technical detail within the narrative, whether that be military, science, or even politics.

The genre doesn’t tend to go into the future as the lines blur into science fiction. There’s a large crossover between a techno thriller and action/adventure, as the plots tend to have high stakes, world-endangering catastrophes, and larger-than-life characters.

Techno thrillers are one of the few genres that manage to bring speculative fiction to contemporary settings, and it’s that key component that makes it stand apart. In science fiction, one of the big drivers is the ‘what if’ game. It speculates on the outcome if ‘this’ or ‘that’ happened. This can also be seen in fantasy and especially alternate history: what if Hitler won the war being a common example.

With regards to science fiction, there is a slight blurring of lines when it comes to near-future fiction. They are, in my mind, the same thing across a spectrum of time. The further into the future you go the more ‘SF’ it becomes. There’s a crossover somewhere in the middle where technology is being developed now that will continue to exist and evolve into the science fiction of the future.

I write in that blurred area. I tend to write my fiction either now, or within a hundred or so years. That’s what I consider near future, and thus my work straddles the line of contemporary techno thrillers and near-future science fiction. It’s a fertile ground to work within as it can blend the best of both worlds.

So now you know what a Techno thriller is, I’ll run down my favourite five to give you a kick-start in the genre. These are what I consider either cornerstones of the genre, or particularly fine examples for someone new to the techno thriller.

No.1 Jurassic Park – Michael Crichton


Crichton is the boss of this genre. His body of work serves to illustrate the genre at its finest, combining both the technological aspects with real thrills. It’s no surprise that a number of his titles made it to the big screen.

Jurassic Park, and the follow up The Lost World, primarily covers the technological aspects of cloning, chaos theory, and evolution. The thriller aspect is delivered by freaking huge dinosaurs chasing humans around the island for a meaty snack. Not to mention the sneaky, clever raptors. If you’re new to this genre, start here. You’ll most likely be familiar with the film, but like most translations, the source material is far superior.

No. 2 The Hunt for Red October – Tom Clancy


Here we have another film adaption, which is no surprise really. Techno thrillers lend themselves perfectly to film what with their high stakes, action, suspense and cool technological gadgetry. Many will remember the film for Sean Connery’s shpectacularly Scottish Russian accshent. Nishe job, Sean.

For those who have not seen the film, it’s a taut suspenseful story of a stolen Russian nuclear submarine. This one blends technology with both the military and politics, giving a well-rounded account of the main tropes of the genre. It’s also, in my opinion, one of Clancy’s best books, written before he took the James Patterson style of farming out his work to ghost writers.

No.3 James Rollins - Sandstorm


Rollins heads up the action-adventure corner of the genre. He also manages to interweave historical elements and mysteries with the technology, using the latter often as a way of explaining the mystery. It’s a great formula, and Rollins does it brilliantly. As an aside, he once mentioned that he used Jurassic Park as manual on how to write a thriller. And it shows, not in that he’s copied Crichton’s work, but has developed an accomplished style to bring the thrills and the technology together in an exciting adventure.

Sandstorm is the first of his Sigma Force series of novels. They are a group of specialists working for a governmental department to solve technological mysteries and prevent the bad guys from getting hold of them. A regular cast of characters feature throughout the series. This particular story combines ancient lost cities, museum curators, archeologists, ninjas, assassins, and a potentially deadly source of antimatter, which is at the heart of the story.

It’s a fun read, appealing to the Dan Brown fans, but IMHO is far better written in almost every aspect and nails the adventure part of the techno thriller. It has echoes of Indiana Jones if it were set in modern times.

No.4 Daemon + Freedom TM – Daniel Suarez


Here I’m mentioning both books because frankly, I’m sure they were one story. The ending to the first book is so abrupt you’ll likely throw it against a wall, but don’t fear. Have the second book ready to go straight away and you’ll love this story.

Suarez brings us right up to contemporary times with this story centered on computer technology, hacking, and automation of computer networks. It presents a terrifying, but plausible (to a degree), ‘what if.’ A leader computer programmer is found dead. However, his will lives on within a computer network running a number of automated tasks programmed ahead of time. This makes the detective’s job increasingly difficult, as it seems he’s one step ahead of them, and all the while, this automated post-human program is organizing an army of followers.

Suarez’s writing is excellent. He tackles what could be quite a dry, technical subject and turns into a ‘can’t stop turning the damn pages’ thriller that will grip you until the end. He weaves in a deep mystery that keeps you guessing, and his ideas are innovative and creative. Definitely one for the computer nerds out there, but it’s still accessible enough for the average reader.

This particular book was one of my main influences when I started to write my Techxorcist series of novels, which cover computing, artificial intelligences and uploaded consciousness. Although Suarez’s books are set in contemporary times, it’s easy to extrapolate those into a near future story such as my series.

No.5 The Bourne series – Robert Ludlum


I’ve chosen these as a series rather than focusing on an individual book, because together they cover the complete arc of the story. Another film adaption, again, showing the great visual potential that a techno thriller has, the Bourne books are slightly less technical in terms of technology, but cover the thriller aspects of sciences such as mind control, memory manipulation and social and personal conditioning.

Like The Hunt for Red October, it takes a governmental/political look at the genre with Jason Bourne at times being hunted and taking the role of the hunter as he seeks to find the truth of the secret program that made him what he is.

Lots of thrills and intrigue, layers of mystery and subterfuge. They make great books and great films. What’s not to love?

So there we have a very brief look at the techno thriller genre, and I hope with these examples you’ll be tempted to dive in if you haven’t already. It’s a wide genre covering a lot of diverse topics. There’s something for everyone: action, adventure, politics, science, and history. For me, it’s the most fertile contemporary genre around and the boundaries are wide enough to never get bored.

Give one a try today, I’m sure you’ll love the experience.

For more recommendations, Wikipedia have an excellent list here.

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Giveaway!


Enter the rafflecopter form below to win a paperback copy of Colin's techno-thriller novel, Artificial Evil. Open INT and no following required (though certainly appreciated, if you want to!). :-)

a Rafflecopter giveaway


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About Colin F. Barnes

Colin F. Barnes is a publisher and full-time writer of horror and techno thrillers and a member of both the British Fantasy Society and the British Science Fiction Association. He honed his craft with the London School of Journalism and the Open University (BA, English).

Colin has run a number of tech-based businesses, worked in rat-infested workshops, and scoured the back streets of London looking for characters and stories—which he found in abundance. He has a number of publishing credits with stories alongside authors such as: Brian Lumley, Ramsey Campbell, and Graham Masterton.

Colin’s Books:

ARTIFICIAL EVIL: Book 1 of The Techxorcist.
THE DAEDALUS CODE: A Novella

For more information, Colin can be found on:
Twitter
Facebook
Amazon
His Website


Friday, 12 July 2013

Revisiting The Witches - A Guest Post from James Everington



Today I'm welcoming author James Everington to the blog, to tell us a little about what inspires his writing. James writes dark, supernatural fiction, and is the author of four short story collections, as well as one of the creators of the Penny Dreadnought anthologies. His latest collection, Falling Over, is out now from Infinity Plus.

Over to James!

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So.

This was meant to be a simple blog post about inspiration; specifically, one in a series of guest blog posts about the key inspirations behind the stories in my new collection of short stories, Falling Over. This was meant to be about The Witches by Roald Dahl. (That was how I originally pitched the piece to Vicky, anyway – sorry Vicky!)

But instead I found myself writing something different, something about childhood, and memory, and time… but still about inspiration, hopefully.

I’d not read Roald Dahl’s The Witches for over twenty-years, but nevertheless I found that some of the scenes from it were constantly in my head whilst I was writing a story called The Time Of Their Lives. I guess anyone reading the story will see the same obvious similarities just as I did – it’s a story from the point of view of a child who is spending a holiday bored in a creepy hotel. Like The Witches, the story is about a child’s fear of adults, and what those adults might really look like, in certain lights…

Because here’s the thing: I decided to reread The Witches before writing this blog post and… it was nothing like I’d remembered. It was nothing like the scenes in my head that had somehow inspired me.

I mean obviously, it is set in a creepy hotel and it is from a kid’s point of view; that was all the same. And some of the delightfully horrible details were just as I remembered – particularly the different ways to recognise witches: the toeless feet, the hairless heads, the blue spit. (This part of the book, incidentally, seemed a brilliant refutation of that hoary old “Show Don’t Tell” rule. Dahl tells us things about witches, and because what he has to tell us is so repulsively interesting, we love it. “Show Don’t Tell” isn’t all it’s cracked up to be, and never trust a rule about writing that isn’t even obeying itself. But anyway, that’s a whooooole other blog post.)

But the feel of the book, the tone and texture of it, was completely different. It was lighter and fluffier and more whimsical. Although there are some creepy moments (and Dahl’s witches themselves are typically inspired and grotesque creations) I found myself smiling my way through it. And really, what was I expecting – it’s a kid’s book, right?

So what happened? How come what I remembered, and so blithely claimed was an influence in the story notes at the back of Falling Over, didn’t actually seem to exist?

I guess growing up happened.

I read it as a kid, at an age when obviously I wouldn’t have been able to handle the horrors of a Stephen King or a Clive Barker. Dahl has pitched the fear at the exact level that a kid of my age, and upbringing, and sensibility, could take without being so completely petrified that I’d never sleep (or buy a Roald Dahl book) again. So I remembered it being a book that was as creepy as it was possible to be, and because I never reread it, a buried and younger part of me still believed that to be the case all these years later. And good as it was, there was no way The Witches was going to match my memory of it. It’s like if you ever revisit your school as an adult – how small it seems!

I don’t regret rereading The Witches - it is a brilliant book, full of flashes and humour and childhood fears perfectly realised. But I can’t help but feel it’s replaced something else that was there, something more unexamined and personal, that I’d built up in my head over the years, every time my thoughts turned to The Witches. What’s replaced it is a newfound respect for an author who must surely be one of the greatest children’s authors ever - what a lucky generation we were. But I don’t know if it would be much use to me if I was writing The Time Of Their Lives now; despite being from the point of view of a child it really isn’t a children’s story.

Of course, I might be being overly pessimistic. It wouldn't be the first time. After all, who really understands inspiration? One thing that has become clear from writing this piece is that it's certainly not me. Maybe The Witches just needs to find its own place, its own level amongst all the other stories in my head, and maybe one day the real, Roald Dahl version of The Witches will be a jumping off point for another creepy tale for me to tell.

And if that ever happens, I promise I'll come back and write the blog post for Vicky that she originally signed up for!

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Falling Over is published by Infinity Plus and is out now. Ten stories of unease, fear and the weird.

"Good writing gives off fumes, the sort that induce dark visions, and Everington’s elegant, sophisticated prose is a potent brew. Imbibe at your own risk." - Robert Dunbar, author of The Pines and Martyrs & Monsters.

Find out more at Scattershot Writing.

Friday, 26 April 2013

Location, Location, Location - A Guest Post from Emma Newman



For the past week I've been doing some posts about things I love, and now it's the turn of one of my new favourite authors (read my review of the first Split Worlds novel here). Emma Newman is here to do a guest post about the setting for her Split Worlds fantasy series. So Emma, why Bath? :-)

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Bath (picture: Michael Maggs)
The first novel of the Split Worlds series Between Two Thorns is set in modern-day Bath and its secret magical reflection Aquae Sulis. The reflected city is in the 'Nether' – a place between the mundane world (like ours) and Exilium, where the Fae are imprisoned.


Why Bath?

I've always been fascinated by the city's history. I've been there more times than I remember; my family have lived nearby for many years and for the last five I've been close enough for day trips. The city is dominated architecturally by the Georgian era and as a result, I couldn't help but wonder what it was like in the eighteenth century at the peak of its popularity.

The more I learned about the city, the harder I found it to walk around without imagining the people who used to live there. I'd look at the terraced Georgian houses and imagine them lit with candlelight and full of beautifully dressed men and women in the social crush of the season. Instead of cars queuing to get into a car park, I'd imagine carriages with horses snorting and puffing plumes of steam into the air as they waited. I walked into lampposts a lot.



I visited the beautifully restored Assembly Rooms and walked around in a daze. I was caught between a longing for a time of such splendour and gratitude that I'm living in the 21st century and have freedom and rights denied the women of that time. Now I think about it, I think a lot of Cathy's struggle emerged from this.

I learned about 'Beau' Nash, who became the city's Master of Ceremonies in 1706 and was fascinated by how he transformed the social fabric of the city in only a decade. He laid down a famous 'code of behaviour' which encouraged socialising between the gentry and the aristocratic elite – something that had never been seen before. It was one of the critical factors in the success of the city.


The secret reflection of Bath

In Between Two Thorns the reflected city - Aquae Sulis - is very similar to eighteenth century Bath. There are a number of reasons for this, but the principle one is that Nether Society is stagnant in comparison to the mundane world, principally because people don't age there. It's been a long, long time since those in power last visited and understood the mundane world.

 
The Aquae Sulis of the Split Worlds series is still run by a Master of Ceremonies, a Richard Angustifolia-Lavandula, who runs the city and its social events just like Beau Nash. However, there is an additional role in the power structure; Censor of Aquae Sulis, which brings me to the Roman-inspired aspects of the reflected city.


The Roman element

Of course, Aquae Sulis was the Roman name for the city and they bathed in the same springs that were popular in Beau Nash's time and are still enjoyed today. I wanted to call the reflected city something different as people often use names and language to differentiate themselves. None of the Great Families would ever want to have the city they live in associated with mundane Bath, filled with the people they look down upon!

The Roman Baths
In Roman times, one of the powers a Censor held was the ability to judge an individual's assets, consider their behaviour (i.e. whether they'd acted with bravery or cowardice in a battle) and assign them to a particular social class as a result. Clearly this made them incredibly powerful and that's the same of the Censor in my novel. Claudia is Richard's sister and arguably the most powerful person in the city. She is the one who decides whether a resident of another Nether city may enter Aquae Sulis and participate in the Season, and also decides who may or may not become a permanent resident.

It's my hope that when people read Between Two Thorns they'll feel some of that magic of the eighteenth century social whirl. It's also my hope that they'll also see how far we've come in the mundane world…

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Thanks so much for stopping by, Emma!


Between Two Thorns is the first book in the Split Worlds series, from Angry Robot Books. The second book, Any Other Name, is out in May!